"Peter and the Wolf, Op. 67: X. The Wolf Stalks the Bird and the Cat" by Sergei Prokofiev, Kent Nagano, Sophia Loren, Russian National Orchestra had its release date on 2003. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Prokofiev: Peter and the Wolf". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Peter and the Wolf, Op. 67: X. The Wolf Stalks the Bird and the Cat's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Peter and the Wolf, Op. 67: X. The Wolf Stalks the Bird and the Cat by Sergei Prokofiev, Kent Nagano, Sophia Loren, Russian National Orchestra having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
LAPUTA: Castle in the Sky LAPUTA: Castle in the Sky | Nobuaki Fukukawa, Japan Horn Sound | F Minor | 1 | 4A | 99 BPM | ||
Concerto Grosso: II. Serenata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | A Major | 1 | 11B | 119 BPM | ||
Variations on a Theme by Haydn, Op. 56a: Var. 4, Andante con moto | Johannes Brahms, Yoel Levi, Atlanta Symphony Orchestra | E♭ Minor | 0 | 2A | 89 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: II. Sonnenaufgang | Richard Strauss, Andrés Orozco-Estrada, Hr-sinfonieorchester | A Major | 4 | 11B | 175 BPM | ||
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: IV. Dance | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Violin Concerto: III. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | A♭ Major | 2 | 4B | 88 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Hunters approach with their guns | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 106 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Chanti Crows | Robert Folk | F Major | 6 | 7B | 121 BPM |