Carlos Verardi, Atrium Musicae de Madrid, Gregorio Paniagua made "Historia Baetica" available on January 28, 1986. With Historia Baetica being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Atrium Musicae de Madrid, Gregorio Paniagua's "Madrid Atrium Musicae: Three Centuries of La Spagna" album is number 4 out of 32. Based on our statistics, Historia Baetica's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Historia Baetica by Carlos Verardi, Atrium Musicae de Madrid, Gregorio Paniagua to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzon seconda | Giovanni Gabrieli, Flanders Recorder Quartet | A♭ Major | 0 | 4B | 66 BPM | ||
Shepheards Holyday or Labour in Vaine | The Broadside Band | B♭ Major | 1 | 6B | 94 BPM | ||
BRANLE VII | Hortus Musicus | D Minor | 3 | 7A | 80 BPM | ||
Chansons: Amoreux suy et me vient toute joye | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Minor | 3 | 1A | 107 BPM | ||
Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
Duo Et misericordia eius | The Royal Wind Music, Capella Sancta María, Alfred Fernández | A♭ Minor | 0 | 1A | 126 BPM | ||
Hachas | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | C Major | 1 | 8B | 72 BPM | ||
Anthousai (Nymphs of the Flowers) | Michael Levy | A♭ Major | 4 | 4B | 119 BPM | ||
Courtly Masquing Ayres: No. 4 | John Adson, The Prague Brass Soloists | D Major | 1 | 10B | 93 BPM | ||
Canarios | Antonio de Santa Cruz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 1 | 10B | 111 BPM |