Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen's 'Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 2, Tropical Noon' came out on March 8, 2019. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Project W: Works by Diverse Women Composers". In this album, this song's track order is #2. Based on our statistics, Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 2, Tropical Noon's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 2, Tropical Noon by Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen having a テンポ of 134 with a half-time of 67 テンポ and a double-time of 268 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 4 | 8B | 125 BPM | ||
Othello, Op. 79: IV. The Willow Song | Samuel Coleridge-Taylor, Chineke! Orchestra, Fawzi Haimor | C Major | 1 | 8B | 113 BPM | ||
Violin Concerto in D Major, Op. 3, No. 1: Adagio | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Minor | 0 | 7A | 96 BPM | ||
3 Pieces for Violin & Piano, Op. 40: Berceuse (Arr. Koncz) | Amy Beach, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | D Major | 1 | 10B | 137 BPM | ||
Symphony No. 2, Op. 132, "Mysterious Mountain": II. Double Fugue | Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 2 | 8A | 73 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 99 BPM | ||
Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | G Major | 1 | 9B | 73 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Ancient Airs And Dances, Suite No.1, [P. 109]: 1. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 120 BPM |