"3 Pieces for Violin & Piano, Op. 40: Berceuse (Arr. Koncz)" by Amy Beach, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin was released on January 1, 2013. The duration of 3 Pieces for Violin & Piano, Op. 40: Berceuse (Arr. Koncz) is about 3 minutes long, at 3:11. Based on our data, "3 Pieces for Violin & Piano, Op. 40: Berceuse (Arr. Koncz)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Portraits - The Clarinet Album". In this album, this song's track order is #9. Based on our statistics, 3 Pieces for Violin & Piano, Op. 40: Berceuse (Arr. Koncz)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Pieces for Violin & Piano, Op. 40: Berceuse (Arr. Koncz) by Amy Beach, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin having a テンポ of 137 with a half-time of 68 テンポ and a double-time of 274 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Lucas Jussen, Arthur Jussen, Concertgebouworkest, Stéphane Denève | B♭ Major | 1 | 6B | 88 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
From Six to Twelve, Op. 119: No. 4 Secrets of the Attic | Amy Beach, Kirsten Johnson | F Major | 1 | 7B | 100 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: 2. Adagio | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | E♭ Major | 1 | 5B | 85 BPM | ||
5 Improvisations, Op. 148: No. 4 in G-Flat Major | Amy Beach, Margaret Mills | E♭ Minor | 0 | 2A | 73 BPM | ||
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM |