"Stockhausen: Tierkreis, for Trumpet und Organ: II. Fische - Pisces (20.02-20.03) - Jupiter/Neptun (=134)" by Karlheinz Stockhausen, Markus Stockhausen was released on July 6, 2009. With Stockhausen: Tierkreis, for Trumpet und Organ: II. Fische - Pisces (20.02-20.03) - Jupiter/Neptun (=134) being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Stockhausen: Tierkreis, In Freundschaft, Spiral 1 & Japan". In this album, this song's track order is #4. Stockhausen: Tierkreis, for Trumpet und Organ: II. Fische - Pisces (20.02-20.03) - Jupiter/Neptun (=134) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stockhausen: Tierkreis, for Trumpet und Organ: II. Fische - Pisces (20.02-20.03) - Jupiter/Neptun (=134) by Karlheinz Stockhausen, Markus Stockhausen having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sinking of the Titanic: 5. Hymn III | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 1 | 4B | 73 BPM | ||
In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 0 | 8B | 139 BPM | ||
String Quartet No. 2 | Sofia Gubaidulina, Stamic Quartet | D Major | 0 | 10B | 77 BPM | ||
In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
Dance in the Moon | Friedrich Wilckens, Lydia Kavina, Joshua Pierce | F Minor | 0 | 4A | 97 BPM | ||
Aquarius, Realization 2 | Karlheinz Stockhausen, Wolfgang Fernow, Stefan Hussong, Michael Kiedaisch, Michael Riessler, Scott Roller, Mike Svoboda | A♭ Major | 0 | 4B | 91 BPM | ||
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
7 Papillons: No. 3. — | Kaija Saariaho, Anssi Karttunen | D Major | 1 | 10B | 103 BPM | ||
Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string Quartet | Morton Feldman, Ensemble Recherche | A Major | 0 | 11B | 94 BPM | ||
Laughter Echoes Darkly | Sinister Sounds | F Major | 1 | 7B | 64 BPM |