"In the Light of Air: III. Existence" by Anna Thorvaldsdottir, International Contemporary Ensemble was released on August 28, 2015. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 5 in the song's album "Thorvaldsdottir: In the Light of Air". In this album, this song's track order is #3. Based on our statistics, In the Light of Air: III. Existence's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In the Light of Air: III. Existence by Anna Thorvaldsdottir, International Contemporary Ensemble having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goodnight Mommy - Ich seh Ich Seh: Into the Woods | Olga Neuwirth | D Major | 0 | 10B | 72 BPM | ||
6 Encores: No. 3 Wasserklavier | Luciano Berio, Hélène Grimaud | B♭ Minor | 0 | 3A | 81 BPM | ||
Transitions | Anna Thorvaldsdottir, Michael Nicolas | G Major | 0 | 9B | 170 BPM | ||
Hommage à J.S.B.: II. Andantino | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
To the Hands: No. 6. I Will Hold You | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | D Minor | 1 | 7A | 88 BPM | ||
Afterword, Act One: Scene 2: In Chicago | George Lewis, Joelle Lamarre, David Fulmer, Julian Terrell Otis, Gwendolyn Brown, International Contemporary Ensemble | F Major | 3 | 7B | 90 BPM | ||
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
Lux Aurumque - Arr. for Marimba Quartet | Eric Whitacre, Joby Burgess, Sam Wilson, Calum Huggan, Rob Farrer | D♭ Minor | 0 | 12A | 147 BPM | ||
Anatomy Theater: Man Seeks to Know | David Lang, Mark Dion, Robert Osborne, International Contemporary Ensemble, Christopher Rountree | E Major | 0 | 12B | 130 BPM | ||
Phrygian Gates, Pt. 3 | John Adams | E♭ Major | 1 | 5B | 161 BPM |