Rutland Boughton, Kenneth McKellar, Peter Knight, Orchestra made "Faery Song (from "The Immortal Hour")" available on January 1, 1999. With Faery Song (from "The Immortal Hour") being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kenneth McKellar's "Kenneth McKellar - The Decca Years" album is number 6 out of 50. Faery Song (from "The Immortal Hour") is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Faery Song (from "The Immortal Hour") by Rutland Boughton, Kenneth McKellar, Peter Knight, Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Didn't You Hear? | Mort Garson | B Minor | 3 | 10A | 160 BPM | ||
On Your Own Again | Scott Walker | F♯ Minor | 1 | 11A | 143 BPM | ||
The First Time Ever I Saw Your Face | Ewan MacColl | D Major | 1 | 10B | 67 BPM | ||
The Immortal Hour, Act I Scene 1: No. 2, By Dim Moon-Glimmering Coasts and Sad Sea Wastes (Dalua) | Rutland Boughton, Alan G. Melville, English Chamber Orchestra, Roderick Kennedy | B Minor | 2 | 10A | 79 BPM | ||
Partita for 8 Singers: No. 1. Allemande | Caroline Shaw, Roomful of Teeth, Brad Wells | F♯ Minor | 3 | 11A | 138 BPM | ||
My little Welsh home | William Sidney Gwynn Williams, Bryn Terfel, Orchestra of the Welsh National Opera, Gareth Jones | G Minor | 1 | 6A | 168 BPM | ||
The Immortal Hour, Act I Scene 2: No. 2, Yes Woman, Yes, I Know (Manus/Etain/Maive) | Rutland Boughton, English Chamber Orchestra, Patricia Taylor, Roger Bryson, Alan G. Melville, Anne Dawson | B♭ Major | 3 | 6B | 100 BPM | ||
Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | B Minor | 0 | 10A | 92 BPM | ||
Wild Swans - Concert Suite: 2. Eliza Aria | Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner | F Major | 1 | 7B | 143 BPM | ||
A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound" | Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, London Symphony Orchestra | F Minor | 0 | 4A | 176 BPM |