Gilbert & Sullivan Society of Houston made "H.M.S. Pinafore, Act II: Never Mind the Why and Wherefore" available on August 1, 2006. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gilbert & Sullivan Society of Houston's "H.M.S. Pinafore" album is number 5 out of 34. Based on our statistics, H.M.S. Pinafore, Act II: Never Mind the Why and Wherefore's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of H.M.S. Pinafore, Act II: Never Mind the Why and Wherefore by Gilbert & Sullivan Society of Houston to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Jennifer Johnston, Minnesota Boychoir, Minnesota Chorale, Minnesota Orchestra, Osmo Vänskä | D Major | 0 | 10B | 82 BPM | ||
Drink With Me | Clive Carter, "Les Misérables Original London Cast" Ensemble | F Major | 1 | 7B | 95 BPM | ||
Oh, Better Far to Live and Die | The Pirates Of Penzance | F♯ Major | 4 | 2B | 107 BPM | ||
Medley from "Cinderella" (Arr. J. Eskew) | Mack David, Jerry Livingston, Al Hoffman, Cincinnati Pops Orchestra, Erich Kunzel, Indiana University Singing Hoosiers | D Minor | 4 | 7A | 125 BPM | ||
Don't Ah Ma Me | Chita Rivera, Liza Minnelli | E♭ Major | 2 | 5B | 83 BPM | ||
Peter's Lament | Peter Eksell | A Major | 4 | 11B | 75 BPM | ||
Love, Let Me Sing You | Sally Murphy, Daphne Rubin-Vega, Judith Blazer, Nikki M. James, Nancy Ticotin | F Major | 2 | 7B | 99 BPM | ||
Pick-A-Little, Talk-A-Little | Hermione Gingold, The Biddys | G Major | 5 | 9B | 140 BPM | ||
Lonely Room | Shuler Hensley | G Major | 2 | 9B | 111 BPM | ||
My Fair Lady: Get Me to the Church on Time | Frederick Loewe, Stanley Holloway, My Fair Lady Ensemble (1959), Franz Allers, Cyril Ornadel | C Major | 4 | 8B | 123 BPM |