Frederick Loewe, Stanley Holloway, My Fair Lady Ensemble (1959), Franz Allers, Cyril Ornadel made "My Fair Lady: Get Me to the Church on Time" available on 1956. The duration of My Fair Lady: Get Me to the Church on Time is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. My Fair Lady: Get Me to the Church on Time's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Frederick Loewe, Original London Cast of My Fair Lady (1959)'s "My Fair Lady (Original London Cast Recording)" album is number 13 out of 17. Based on our statistics, My Fair Lady: Get Me to the Church on Time's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of My Fair Lady: Get Me to the Church on Time by Frederick Loewe, Stanley Holloway, My Fair Lady Ensemble (1959), Franz Allers, Cyril Ornadel to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture | Camelot on Broadway Orchestra, Frederick Loewe | C Major | 3 | 8B | 130 BPM | ||
Strauss, J. II: Der Zigeunerbaron, Act 1: "Arsena! Arsena!" (Ottokar, Arsena, Barinkay, Saffi, Czipra, Chor) | Johann Strauss II, Franz Allers, Biserka Cvejic, Chor der Bayerischen Staatsoper München, Grace Bumbry, Nicolai Gedda, Rita Streich, Willi Brokmeier, Bavarian State Orchestra | F Minor | 5 | 4A | 93 BPM | ||
This Time of Year | Ken Darby Singers | A Major | 5 | 11B | 108 BPM | ||
Strauss, J. II: Der Zigeunerbaron, Act 2: "Genug, nicht länger schweig' ich" - "Ich hab' gewacht" - "Ein Fürstenkind" (Czipra, Mirabella, Barinkay, Arsena, Ottokar, Carnero, Homonay, Zsupán, Chor) | Johann Strauss II, Franz Allers, Biserka Cvejic, Chor der Bayerischen Staatsoper München, Gisela Litz, Hermann Prey, Kurt Böhme, Nicolai Gedda, Rita Streich, Willi Brokmeier, Wolfgang Anheisser, Bavarian State Orchestra | B♭ Major | 5 | 6B | 117 BPM | ||
Strauss, J. II: Der Zigeunerbaron: Ouvertüre | Johann Strauss II, Franz Allers, Bavarian State Orchestra | C Major | 4 | 8B | 78 BPM | ||
More I Cannot Wish You | John Carpenter | D Major | 0 | 10B | 170 BPM | ||
Why Can't the English? - Voice | Wilfrid Hyde-White, Marni Nixon, Rex Harrison | F Major | 4 | 7B | 122 BPM | ||
West Side Story (Original Broadway Cast): Act I: Cool | Leonard Bernstein, West Side Story Ensemble, Max Goberman, Mickey Calin, West Side Story Original Broadway Cast | C Major | 2 | 8B | 89 BPM | ||
Matchmaker | John Williams, Rosalind Harris, Michele Marsh, Neva Small, "Fiddler On The Roof” Motion Picture Orchestra | F♯ Minor | 2 | 11A | 105 BPM | ||
Much More | Rita Gardner | E Minor | 2 | 9A | 132 BPM |