"21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor. Poco andante (Orch. Parlow)" by Johannes Brahms, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1984. The duration of 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor. Poco andante (Orch. Parlow) is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor. Poco andante (Orch. Parlow)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 21 in Brahms: 21 Hungarian Dances by Johannes Brahms, Wiener Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor. Poco andante (Orch. Parlow)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor. Poco andante (Orch. Parlow) by Johannes Brahms, Wiener Philharmoniker, Claudio Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Études, Op. 10: No. 7 in C Major "Toccata" | Frédéric Chopin, Maurizio Pollini | F♯ Major | 3 | 2B | 112 BPM | ||
Symphony No. 8 in B Minor, D. 759 "Unfinished": 2. Andante con moto | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 82 BPM | ||
Demolirer-Polka - Polka française Op. 269 | Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky | G Major | 1 | 9B | 84 BPM | ||
6 Moments musicaux, Op. 16: No. 1, Andantino | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Beethoven: Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto | Ludwig van Beethoven, Sir Simon Rattle, Wiener Philharmoniker | C Major | 0 | 8B | 113 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Pictures At An Exhibition (Orch. Ravel): 6. Samuel Goldenberg und Schmuÿle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Minor | 1 | 11A | 114 BPM |
Section: 0.6913628578186035
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