"La Sonnambula / Act II: Ah, non credea mirarti" by Vincenzo Bellini, Anna Netrebko, Saimir Pirgu, Coro Sinfonico di Milano Giuseppe Verdi, Mahler Chamber Orchestra, Claudio Abbado was released on January 1, 2004. With this song being about 5 minutes long, at 4:47, "La Sonnambula / Act II: Ah, non credea mirarti" by Vincenzo Bellini, Anna Netrebko, Saimir Pirgu, Coro Sinfonico di Milano Giuseppe Verdi, Mahler Chamber Orchestra, Claudio Abbado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 17 in Anna Netrebko - Sempre libera by Anna Netrebko, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. La Sonnambula / Act II: Ah, non credea mirarti is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Sonnambula / Act II: Ah, non credea mirarti by Vincenzo Bellini, Anna Netrebko, Saimir Pirgu, Coro Sinfonico di Milano Giuseppe Verdi, Mahler Chamber Orchestra, Claudio Abbado is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | G Major | 0 | 9B | 81 BPM | ||
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda, Yvette, Bianca, Prunier, Lisette, Suzy, Rambaldo, Périchaud, Gobin, Crébillon) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | B♭ Minor | 8 | 3A | 126 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM | ||
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) | Gioachino Rossini, Montserrat Caballé | A♭ Major | 1 | 4B | 74 BPM | ||
Andrea Chénier: Un dì all'azzurro spazio | Umberto Giordano, José Carreras, Giuseppe Patanè, Hungarian State Orchestra | B♭ Major | 2 | 6B | 84 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM |