"Flute Concerto, Op. 70, "Harlekiini": IV. Adagio -" by Aulis Sallinen, Petri Alanko, Tapiola Sinfonietta, Okko Kamu was released on April 20, 1999. Since Flute Concerto, Op. 70, "Harlekiini": IV. Adagio - is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 20th Century Music for Flute And Orchestra, so we believe that "Flute Concerto, Op. 70, "Harlekiini": IV. Adagio -" is a single. Flute Concerto, Op. 70, "Harlekiini": IV. Adagio - is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flute Concerto, Op. 70, "Harlekiini": IV. Adagio - by Aulis Sallinen, Petri Alanko, Tapiola Sinfonietta, Okko Kamu is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: The Music Makers (Ode by Arthur O'Shaughnessy), Op. 69: I. Moderato e nobilmente espressivo (Orchestral Introduction) | Edward Elgar, Dame Janet Baker, Frederic Jackson, Sir Adrian Boult, London Philharmonic Orchestra | C Minor | 1 | 5A | 88 BPM | ||
Variations on a theme of Frank Bridge, Op.10: 1. Introduction & Theme | Benjamin Britten, English Chamber Orchestra | F Major | 0 | 7B | 84 BPM | ||
Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Minor | 0 | 11A | 83 BPM | ||
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
La traviata / Act I: "Ebben? che diavol fate?" | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 125 BPM | ||
Mother Goose: I. Prélude | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | G Major | 0 | 9B | 84 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 95 BPM | ||
わが故郷 Op. 62 | Antonín Dvořák, BBC Philharmonic Orchestra, Stephen Gunzenhauser | G Major | 1 | 9B | 97 BPM | ||
The Bartered Bride, Act I Scene V: Introduction. Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus | C Major | 3 | 8B | 103 BPM | ||
Hungarian Dance No.13 In D | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 0 | 10B | 127 BPM |