"Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus"" by Felix Mendelssohn, James Taylor, Philippe Herreweghe, Melanie Diener was released on 1996. With Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe's "Mendelssohn: Paulus" album is number 19 out of 45. On top of that, France appears to be the country where this track was created. Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" by Felix Mendelssohn, James Taylor, Philippe Herreweghe, Melanie Diener to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
L'Olimpiade, Act I Scene 2: Aria. "Superbo di mes stesso" | Domenico Cimarosa, Maite Beaumont, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
Iphigenia en Tracia, Act II: Recitativo acompagnato "Suspéndete, tirano" (Iphigenia) | José de Nebra, Maria Bayo, Les Talens Lyriques, Christophe Rousset | D Major | 2 | 10B | 0 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Offertorium: Domine Jesu | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | G Minor | 1 | 6A | 83 BPM | ||
Mass in C Major, Op. 86: Kyrie | Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Major | 1 | 11B | 173 BPM | ||
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM | ||
Mass No. 3 in F Minor, WAB 28: Benedictus | Anton Bruckner, Lenneke Ruiten, Iris Vermillion, Shawn Mathey, Franz-Josef Selig, Rundfunkchor Berlin, Orchestre de la Suisse Romande, Marek Janowski | A♭ Major | 1 | 4B | 132 BPM | ||
Qual mormorio giocondo: Recitative: Qual mormorio giocondo | Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay | F♯ Major | 1 | 2B | 78 BPM | ||
Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Agnus Dei: Dona nobis pacem | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | E♭ Major | 3 | 5B | 112 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Torna, o bella, al tuo consorte" (Chorus) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | E Major | 1 | 12B | 42 BPM |