Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus"

Felix Mendelssohn, James Taylor, Philippe Herreweghe, Melanie Diener
Mendelssohn: Paulus
1:36 1996日
テンポ
74
キー
B♭ Major
キャメロットミュージックキー
6B

リンクを埋め込む

共有

Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" - Felix Mendelssohn, James Taylor, Philippe Herreweghe, Melanie Diener 情報

音響性
94%
ダンサビリティ
11%
エネルギー
4%
手段性
62%
活気
30%
ラウドネス
55%
話し言葉
4%
価数
8%
人気
ラウドネス
-26.712 dB

まとめ

"Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus"" by Felix Mendelssohn, James Taylor, Philippe Herreweghe, Melanie Diener was released on 1996. With Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe's "Mendelssohn: Paulus" album is number 19 out of 45. On top of that, France appears to be the country where this track was created. Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" テンポ

We consider the tempo marking of Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" by Felix Mendelssohn, James Taylor, Philippe Herreweghe, Melanie Diener to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" キー

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Missa Tempore Quadragesimae, MH 553: Kyrie by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiMissa Tempore Quadragesimae, MH 553: KyrieMichael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiA Major011B77 BPM
L'Olimpiade, Act I Scene 2: Aria. L'Olimpiade, Act I Scene 2: Aria. "Superbo di mes stesso"Domenico Cimarosa, Maite Beaumont, Christophe Rousset, Les Talens LyriquesC Major38B139 BPM
Iphigenia en Tracia, Act II: Recitativo acompagnato Iphigenia en Tracia, Act II: Recitativo acompagnato "Suspéndete, tirano" (Iphigenia)José de Nebra, Maria Bayo, Les Talens Lyriques, Christophe RoussetD Major210B0 BPM
Missa pro defuncto Archiepiscopo Sigismundo, Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Offertorium: Domine JesuMichael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth RillingG Minor16A83 BPM
Mass in C Major, Op. 86: Kyrie by Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingMass in C Major, Op. 86: KyrieLudwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingA Major111B173 BPM
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) by Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian BoeschStabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto)Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian BoeschA Major111B133 BPM
Mass No. 3 in F Minor, WAB 28: Benedictus by Anton Bruckner, Lenneke Ruiten, Iris Vermillion, Shawn Mathey, Franz-Josef Selig, Rundfunkchor Berlin, Orchestre de la Suisse Romande, Marek JanowskiMass No. 3 in F Minor, WAB 28: BenedictusAnton Bruckner, Lenneke Ruiten, Iris Vermillion, Shawn Mathey, Franz-Josef Selig, Rundfunkchor Berlin, Orchestre de la Suisse Romande, Marek JanowskiA♭ Major14B132 BPM
Qual mormorio giocondo: Recitative: Qual mormorio giocondo by Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly BotvayQual mormorio giocondo: Recitative: Qual mormorio giocondoAlessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly BotvayF♯ Major12B78 BPM
Missa In Angustiis Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Agnus Dei: Dona nobis pacemFranz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert ChoirE♭ Major35B112 BPM
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Torna, o bella, al tuo consorte" (Chorus)Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I BarocchistiE Major112B42 BPM
ISRC
FRZ149616190
レコードレーベル
L-M Records/RCA Records