"Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga"" by George Frideric Handel, Danielle de Niese, Les Arts Florissants, William Christie was released on January 1, 2007. With this song being about 5 minutes long, at 5:02, "Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga"" by George Frideric Handel, Danielle de Niese, Les Arts Florissants, William Christie is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Danielle de Niese, Les Arts Florissants, William Christie's "Handel: Arias" album is number 2 out of 12. Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" by George Frideric Handel, Danielle de Niese, Les Arts Florissants, William Christie to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: Eja Mater, fons amoris… Fac, ut ardeat … Sancta Mater… Tui nati vulnerati | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Coro della Radiotelevisione Svizzera, Daniel Behle, Julian Prégardian, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 87 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": III. A solis ortu (Andante) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | A♭ Major | 1 | 4B | 128 BPM | ||
Fauré: Requiem, Op. 48: VI. Libera me | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Minor | 0 | 7A | 82 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro) | George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | E Major | 3 | 12B | 123 BPM | ||
Artaserse: Son qual nave | Riccardo Broschi, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 4 | 3B | 135 BPM | ||
In darkness let me dwell | John Dowland, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 83 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Danielle de Niese, Les Arts Florissants, William Christie | E Major | 1 | 12B | 87 BPM | ||
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, Choir of St. John's College, Cambridge, Stephen Cleobury, Academy of St. Martin in the Fields, George Guest | D Minor | 0 | 7A | 170 BPM | ||
Castor & Pollux, RCT 32, Acte I, Scène 3: Tristes apprêts, pâles flambeaux (Télaïre) | Jean-Philippe Rameau, Agnes Mellon, William Christie, Les Arts Florissants | D Major | 0 | 10B | 65 BPM |