"Hippodamia´s Death. A stage melodrama in 4 acts, Op. 33, 1. Act 3 - Introduction" by Zdeněk Fibich, Jaroslav Vrchlický, Vladimir Brabec, Eduard Cupak, Jaroslava Adamová, Zdeněk Jelínek, František Jílek, Filharmonie Brno was released on January 1, 1986. With Hippodamia´s Death. A stage melodrama in 4 acts, Op. 33, 1. Act 3 - Introduction being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 28 in Fibich: Hippodamia´s Death. A stage melodrama in 4 acts by Zdeněk Fibich, Jaroslav Vrchlický, Vladimir Brabec, Eduard Cupak, Jaroslava Adamová, Zdeněk Jelínek, Filharmonie Brno. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. Hippodamia´s Death. A stage melodrama in 4 acts, Op. 33, 1. Act 3 - Introduction is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hippodamia´s Death. A stage melodrama in 4 acts, Op. 33, 1. Act 3 - Introduction by Zdeněk Fibich, Jaroslav Vrchlický, Vladimir Brabec, Eduard Cupak, Jaroslava Adamová, Zdeněk Jelínek, František Jílek, Filharmonie Brno is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Fantasia for Piano in D Minor, K. 397 | Wolfgang Amadeus Mozart, Cyprien Katsaris | E Minor | 0 | 9A | 80 BPM | ||
Habanera | Emmanuel Chabrier, Janina Fialkowska | A Major | 5 | 11B | 100 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Sonata for Violin and Piano in E flat, Op.18: II. Improvisation (Andante cantabile) | Richard Strauss, Itzhak Perlman, Emanuel Ax | A♭ Major | 2 | 4B | 81 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM | ||
Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM |