"Sonata for Violin and Piano in E flat, Op.18: II. Improvisation (Andante cantabile)" by Richard Strauss, Itzhak Perlman, Emanuel Ax was released on August 25, 2015. Since Sonata for Violin and Piano in E flat, Op.18: II. Improvisation (Andante cantabile) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 7 in Fauré & Strauss Violin Sonatas by Itzhak Perlman, Emanuel Ax. Sonata for Violin and Piano in E flat, Op.18: II. Improvisation (Andante cantabile) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for Violin and Piano in E flat, Op.18: II. Improvisation (Andante cantabile) by Richard Strauss, Itzhak Perlman, Emanuel Ax is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Die Agyptische Helena, Op. 75, TrV 255, Act II: Zweite Brautnacht! Zaubernacht | Richard Strauss, Alessandra Marc, Dallas Symphony Chorus, Dallas Symphony Orchestra, Andrew Litton | D Major | 0 | 10B | 81 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 5 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 3 | 8A | 90 BPM | ||
Melodie | Christoph Willibald Gluck, Itzhak Perlman, Samuel Sanders | D Minor | 1 | 7A | 89 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
I Could Have Done More | John Williams, Itzhak Perlman, Boston Symphony Orchestra | D Minor | 1 | 7A | 102 BPM | ||
Concerto for Violin & Orchestra, Op. 14: I. Allegro | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 92 BPM | ||
Strauss, R: An Alpine Symphony, Op. 64: I. Night | Richard Strauss, Rudolf Kempe, Staatskapelle Dresden | F Major | 1 | 7B | 79 BPM |