"Lacrimosa" by Peter Sculthorpe, Giovanni Sollima, Giacinto Scelsi, Mario Brunello was released on May 25, 2018. The duration of Lacrimosa is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Lacrimosa's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Violoncello and by Giovanni Sollima, Peter Sculthorpe, Giacinto Scelsi, Mario Brunello. The song's track number on the album is #4 out of 11 tracks. Based on our statistics, Lacrimosa's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lacrimosa by Peter Sculthorpe, Giovanni Sollima, Giacinto Scelsi, Mario Brunello has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lacrimosa being at 131 テンポ, the half-time would be 66 テンポ with a double-time of 262 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
Today and it’s gone (Munich Session) | Carlos Cipa | D Major | 6 | 10B | 187 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Lenaerts: Fantaisie sur la Bohème de Puccini, Pt. 1 | Anneleen Lenaerts | F Major | 1 | 7B | 96 BPM | ||
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM | ||
Silent Waves | Dan Evmark, Paula Gustafsson, Amelie Evmark | C Minor | 1 | 5A | 94 BPM | ||
Lacrimosa | Peter Sculthorpe, Giovanni Sollima, Giacinto Scelsi, Mario Brunello | D Minor | 0 | 7A | 131 BPM | ||
Preludium in C Major (Variation) - J.S. Bach | Chad Lawson | C Major | 1 | 8B | 126 BPM |