Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra's 'Carmen (1997 - Remaster), Act II: La belle, un mot' came out on 1964. With Carmen (1997 - Remaster), Act II: La belle, un mot being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 39 in Bizet: Carmen by Georges Bizet, Maria Callas, Georges Prêtre. Carmen (1997 - Remaster), Act II: La belle, un mot is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmen (1997 - Remaster), Act II: La belle, un mot by Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra is Larghetto (rather broadly), since this song has a tempo of 61 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Les Pêcheurs de perles (edition based on the original 1863 version; orchestration of restored material by Arthur Hammond), Act III - Seconde partie: Le jour enfin perce la nue ! (Nourabad, Chorus, Zurga, Nadir, Léïla) - 1990 Remastered Version | Eugene Cormon, Georges Bizet, Michel Carre, Ileana Cotrubas, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 3 | 6B | 63 BPM | ||
Rossini: Armida, Act 2: "D'amore al dolce impero" (Armida, Chorus) [Live] | Gioachino Rossini, Maria Callas, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | F Major | 4 | 7B | 71 BPM | ||
Tosca, S. 69, IGP 17, Act II: "Vissi d'arte, vissi d'amore" (Tosca, Scarpia) | Giacomo Puccini, Orchestra della Royal Opera House di Londra, Carlo Felice Cillario, Maria Callas | E♭ Major | 2 | 5B | 85 BPM | ||
Cherubini: Medea, Act I: "Dei tuoi figli la madre" (Medea) | Luigi Cherubini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 80 BPM | ||
Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | ||
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
Verdi: Macbeth, Act 1: "Nel dì della vittoria" - "Vieni t'affretta" (Lady Macbeth, Chorus) | Giuseppe Verdi, Maria Callas, The Philharmonia Chorus, Nicola Rescigno, Philharmonia Orchestra | F♯ Minor | 0 | 11A | 89 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act III, Scene 8: No. 19, Recitativo ed Aria. "E Susanna non vien! … Dove sono i bei momenti" (Contessa) | Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Philharmonia Orchestra, Carlo Maria Giulini | C Major | 1 | 8B | 105 BPM | ||
Lucia di Lammermoor / Act 2: "Se tradirmi tu potrai" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 4 | 11B | 98 BPM |