"Mozart: Le nozze di Figaro, K. 492, Act III, Scene 8: No. 19, Recitativo ed Aria. "E Susanna non vien! … Dove sono i bei momenti" (Contessa)" by Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Philharmonia Orchestra, Carlo Maria Giulini was released on 1961. Mozart: Le nozze di Figaro, K. 492, Act III, Scene 8: No. 19, Recitativo ed Aria. "E Susanna non vien! … Dove sono i bei momenti" (Contessa) is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Carlo Maria Giulini's "Mozart: La Nozze Di Figaro" album is number 10 out of 14. In terms of popularity, Mozart: Le nozze di Figaro, K. 492, Act III, Scene 8: No. 19, Recitativo ed Aria. "E Susanna non vien! … Dove sono i bei momenti" (Contessa) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Le nozze di Figaro, K. 492, Act III, Scene 8: No. 19, Recitativo ed Aria. "E Susanna non vien! … Dove sono i bei momenti" (Contessa) by Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Philharmonia Orchestra, Carlo Maria Giulini to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Concerto for Flute and Harp in C Major, K. 299: III. Allegro | Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard Edlinger | C Major | 1 | 8B | 88 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Concerto for 3 Pianos and Orchestra (No. 7) in F, K.242 "Lodron" - arr. Mozart for 2 pianos: 3. Rondeau (Tempo di menuetto) | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 123 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM |