"Ravel: Pavane pour une infante défunte, M. 19 (Arr. Maganini for Flute and Harp)" by Maurice Ravel, Markus Klinko, Benoît Fromanger was released on May 31, 2024. With this song being about 5 minutes long, at 5:24, "Ravel: Pavane pour une infante défunte, M. 19 (Arr. Maganini for Flute and Harp)" by Maurice Ravel, Markus Klinko, Benoît Fromanger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Markus Klinko, Claude Debussy, Erik Satie, Gabriel Fauré, Jacques Ibert, Maurice Ravel's "Musique de chambre française pour harpe: Debussy, Ravel, Satie, Fauré & Ibert" album is number 7 out of 12. On top of that, France appears to be the country where this track was created. Based on our statistics, Ravel: Pavane pour une infante défunte, M. 19 (Arr. Maganini for Flute and Harp)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ravel: Pavane pour une infante défunte, M. 19 (Arr. Maganini for Flute and Harp) by Maurice Ravel, Markus Klinko, Benoît Fromanger to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate e Partite: No. 38, Allegro | Francesco Lecce, Claudio Ferrarini | C Major | 2 | 8B | 67 BPM | ||
Introduction & Variations on Favorite Airs from Bellini's "Norma", Op. 36: Var. 1, Moderato | Elias Parish Alvars, Paola Perrucci | E♭ Major | 1 | 5B | 73 BPM | ||
Debussy: Préludes, Livre I, CD 125, L. 117: No. 8, La fille aux cheveux de lin (Transcr. Grandjany for Harp) | Claude Debussy, Markus Klinko | D♭ Major | 1 | 3B | 107 BPM | ||
Piano Trio in A Minor, M.67: I. Modéré | Maurice Ravel, François-Xavier Poizat, Michael Foyle, Jamie Walton | F♯ Major | 0 | 2B | 87 BPM | ||
In the Forest of Charm and Enchantment | Anne-Marguerite Michaud | E♭ Major | 1 | 5B | 119 BPM | ||
Concerto grosso No. 4 in A Minor, Op. 6/4, HWV 322: III. Largo, e piano | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Minor | 4 | 1A | 75 BPM | ||
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Clarinet and Piano) | Johannes Brahms, Luigi Magistrelli, Claudia Bracco | E♭ Minor | 1 | 2A | 94 BPM | ||
Foster: 金髪のジェニー | スティーブン・コリンズ・フォスター, Mariko Senju, 山洞 智 | D Major | 1 | 10B | 61 BPM | ||
Lute Sonata in A Major (from Manoscritto di Dresda No. 17): I. Prelude | Silvius Leopold Weiss, Virginio Fadda | G Major | 1 | 9B | 87 BPM | ||
Romeo and Juliet, Op. 64: I. Introduction | Sergey Prokoviev, Adrien La Marca, Christian Arming, Liège Royal Philharmonic | D Major | 0 | 10B | 77 BPM |