George Frideric Handel, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner's 'Messiah / Part 3: " Worthy is the Lamb... Amen"' had a release date set for January 1, 1976. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields's "Handel: Messiah" album is number 21 out of 37. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah / Part 3: " Worthy is the Lamb... Amen" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah / Part 3: " Worthy is the Lamb... Amen" by George Frideric Handel, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glory to thee, my God, this night | Thomas Tallis, The Cambridge Singers, John Rutter | A♭ Major | 1 | 4B | 79 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: IX. Gloria | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | F♯ Minor | 3 | 11A | 102 BPM | ||
Fröhliche Weihnacht überall | Choralbeatpeople | A♭ Major | 1 | 4B | 138 BPM | ||
Messiah, HWV 56 / Pt. 1: 16. Air: Rejoice greatly, o daughter of Zion | George Frideric Handel, Margaret Marshall, English Baroque Soloists, John Eliot Gardiner | A Major | 0 | 11B | 122 BPM | ||
Coventry Carol | Traditional, Cherwell Singers, Julia Craig-McFreely | E Minor | 0 | 9A | 74 BPM | ||
Christmas Oratorio, BWV 248: Jauchzet, frohlocket, auf, preiset die Tage! (Chorus) | Christian Friedrich Henrici, Janos Tóth, Ingrid Kertesi, Judit Nemeth, Jozsef Mukk, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Johann Sebastian Bach | D Major | 3 | 10B | 142 BPM | ||
Fauré: Requiem in D Minor, Op. 48: IV. Pie Jesu (Adagio) | Gabriel Fauré, Philippe Jaroussky, Paavo Järvi, Orchestre de Paris | B♭ Major | 0 | 6B | 129 BPM | ||
A Prayer of Saint Patrick | John Rutter, The Cambridge Singers | E♭ Major | 1 | 5B | 114 BPM | ||
O Magnum Mysterium | Tomás Luis de Victoria, New York Polyphony | F Minor | 1 | 4A | 79 BPM | ||
O Come, Emmanuel | Salisbury Cathedral Choir, Simon Lole | G Major | 2 | 9B | 85 BPM |