Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's 'Veni creator, S. 14: Gloria Patri Domino' came out on February 4, 2022. The duration of Veni creator, S. 14: Gloria Patri Domino is about 3 minutes long, at 3:01. Based on our data, "Veni creator, S. 14: Gloria Patri Domino" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's "Michel-Richard de Lalande: Grands Motets, Dies irae, Miserere, Veni creator" album is number 37 out of 38. On top of that, France appears to be the country where this track was created. Veni creator, S. 14: Gloria Patri Domino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Veni creator, S. 14: Gloria Patri Domino by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Begl’occhi, oh Dio, non più: Per te, mia vita, moro | Agostino Steffani, Lea Desandre, Cenacolo Musicale | D♭ Minor | 1 | 12A | 100 BPM | ||
Sett in D Minor, Op. 2: V. Jigg | James Paisible, Musica Barocca | E Major | 1 | 12B | 123 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VIII. Qui tollis peccata mundi: Adagio | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 80 BPM | ||
Un Sarao de la Chacona | The Royal Wind Music, Capella Sancta María, Alfred Fernández | D♭ Major | 0 | 3B | 145 BPM | ||
Suite In E Minor: VI. Musette du Ballet de l’Inconnu | Michel Richard Delalande, Vincent Dumestre, Le Poème Harmonique | D Minor | 2 | 7A | 125 BPM | ||
Armide, LWV 71, Prologue: Entrée (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
The Gordion Knot Unty'd, Z. 597: Fourth Act Tune: Jig | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 100 BPM | ||
Stabat Mater, P. 77: XII. Quando corpus - Amen | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Ouverture in G Major: II. Gavotte en rondeau | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 2 | 7B | 75 BPM | ||
Trio Sonata in A Minor, BuxWV 254: V. Largo | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM |