Bonn Classical Philharmonic's 'Bar Kisses' came out on October 16, 2023. The duration of Bar Kisses is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Bar Kisses's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 100 in All Day Piano Music by Bonn Classical Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bar Kisses's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bar Kisses by Bonn Classical Philharmonic is Allegro (fast, quick, and bright), since this song has a tempo of 138 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Humoresques, Op. 101, B. 187: No. 7. Poco lento e grazioso in G-Flat Major | Antonín Dvořák, Balazs Szokolay | F♯ Major | 1 | 2B | 112 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | G Major | 1 | 9B | 82 BPM | ||
Adagio for Strings and Organ in G Minor | Remo Giazotto, Eriko Sato, Edward Brewer, Orpheus Chamber Orchestra | C Minor | 1 | 5A | 172 BPM | ||
24 Préludes, Op. 28: Prelude No. 4 in E Minor, Op. 28, No. 4 | Frédéric Chopin, Idil Biret | A Minor | 0 | 8A | 88 BPM | ||
Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen | Robert Schumann, Walter Klien | F Minor | 1 | 4A | 142 BPM | ||
Eugene Onegin: Polonaise | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma | G Major | 2 | 9B | 98 BPM | ||
Concerto No. 1 in E major, Op. 8, RV 269, "La primavera" (Spring): I. Allegro | Antonio Vivaldi, Alberto Lizzio, Musici di San Marco | E Major | 1 | 12B | 96 BPM | ||
Piano Concerto No.1 in E minor Op.11 (Larghetto) | Uberto Pieroni | E Major | 1 | 12B | 66 BPM | ||
Scheherazade, Op. 35: No. 1, El mar y el barco de Simbad. Largo e maestoso - Allegro non troppo | Orquesta Sinfónica De Radio Ljubljana, Anton Nanut | E Major | 2 | 12B | 79 BPM |