"Bruckner: Symphony No. 4 in E-Flat Major "Romantic": I. Bewegt, nicht zu schnell (1881 Haas Version) [Live at Philharmonie am Gasteig, Munich, 16.X.1988]" by Anton Bruckner, Sergiu Celibidache, Munich Philharmonic Orchestra was released on 1998. Bruckner: Symphony No. 4 in E-Flat Major "Romantic": I. Bewegt, nicht zu schnell (1881 Haas Version) [Live at Philharmonie am Gasteig, Munich, 16.X.1988] appears to be safe for all ages as it is not explicit. The song is number 1 out of 4 in Bruckner: Symphony No. 4, "Romantic" by Anton Bruckner, Sergiu Celibidache, Munich Philharmonic Orchestra. Based on our statistics, Bruckner: Symphony No. 4 in E-Flat Major "Romantic": I. Bewegt, nicht zu schnell (1881 Haas Version) [Live at Philharmonie am Gasteig, Munich, 16.X.1988]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bruckner: Symphony No. 4 in E-Flat Major "Romantic": I. Bewegt, nicht zu schnell (1881 Haas Version) [Live at Philharmonie am Gasteig, Munich, 16.X.1988] by Anton Bruckner, Sergiu Celibidache, Munich Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, L. 91: I. Nuages (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A♭ Major | 3 | 4B | 113 BPM | ||
Giulio Cesare in Egitto, HWV 17 (Sung in German), Act III: Act III Scene 4: Recitative: Lange sucht' ich Ptolemäus (Sextus, Achillas, Caesar, Nirenus) | George Frideric Handel, Max Proebstl, Munich Philharmonic Orchestra, Walter Berry, Fritz Wunderlich, Hans Günter Nöcker, Ferdinand Leitner | E Minor | 2 | 9A | 65 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | D Major | 1 | 10B | 110 BPM | ||
Essay For Orchestra No. 1, Op. 12 | Samuel Barber, St. Louis Symphony, Leonard Slatkin | E Major | 2 | 12B | 179 BPM | ||
Symphony No. 4 in E-Flat Major, WAB 104, "Romantic" (1886 version, ed. L. Nowak): III. Scherzo: Bewegt | Anton Bruckner, Philharmonie Festiva, Gerd Schaller | D♭ Major | 2 | 3B | 95 BPM | ||
Bruckner: Sinfonie Nr.9 D-Moll | Sergiu Celibidache | B Major | 3 | 1B | 63 BPM | ||
Ravel: Alborada del Gracioso, M. 43 No. 4 | Maurice Ravel, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 0 | 10B | 123 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Scherzo | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | G Minor | 3 | 6A | 89 BPM | ||
Mahler: Symphony No. 1 in D Major: II. Kräftig bewegt, doch nicht zu schnell | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 176 BPM | ||
Wagner: Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | D Minor | 1 | 7A | 144 BPM |