Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel's ' "Persée: Entrée des divinités infernales" was released on its scheduled release date, January 1, 2000. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel, Jacques Cordier, Michel Lambert, Robert Cambert's "Lully: Le Roi Danse - Original Motion Picture Soundtrack" album is number 17 out of 35. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Persée: Entrée des divinités infernales is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Persée: Entrée des divinités infernales by Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 2 | 11A | 106 BPM | ||
Concerto for 2 Violins, 2 Cellos, Strings and Continuo in G, R.575: 1. Allegro | Antonio Vivaldi, Peter Hanson, Walter Reiter, Jane Coe, David Watkin, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 111 BPM | ||
Sonata Da Chiesa No. 4 in F Major, Op. 5: III. Vivace | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | E Major | 3 | 12B | 94 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 68 BPM | ||
Concerto in D Minor for Oboe, Strings and Basso continuo: III. Presto | Alessandro Marcello, Frans Brüggen, L'arpa Festante | D♭ Minor | 3 | 12A | 111 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: III. Allegretto | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | F♯ Major | 2 | 2B | 169 BPM | ||
Concerto In D Major For Flute & Strings, Op.10, No.3, RV428 - "Il gardellino": 1. Allegro | Antonio Vivaldi, Lisa Beznosiuk, Simon Standage, Michaela Comberti, Trevor Jones, Jane Coe, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 116 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: IV. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | A Major | 4 | 11B | 133 BPM | ||
Les Amants magnifiques: Entrée d'Apollon | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 1 | 12A | 132 BPM | ||
Concerto in G major Seibel 217: 3. Grave | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 126 BPM |