"Le Cid: Plus de tourments et plus de peine" by Jules Massenet, Hera Hyesang Park, Coro del Teatro Carlo Felice, Orchestra del Teatro Carlo Felice, Jochen Rieder was released on February 2, 2024. With Le Cid: Plus de tourments et plus de peine being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 25 in Breathe by Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Le Cid: Plus de tourments et plus de peine is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Cid: Plus de tourments et plus de peine by Jules Massenet, Hera Hyesang Park, Coro del Teatro Carlo Felice, Orchestra del Teatro Carlo Felice, Jochen Rieder is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rückert Lieder (Version for Voice & Orchestra): No. 5, Um Mitternacht | Gustav Mahler, Peter Mattei, Norrköping Symphony Orchestra, Jochen Rieder | B♭ Minor | 0 | 3A | 97 BPM | ||
Roméo et Juliette / Act 3: "Le Duc! Le Duc!" | Charles Gounod, Marzio Giossi, Coro del Teatro Carlo Felice, Andrea Bocelli, Annalisa Stroppa, Manuel Pierattelli, Franco Sala, Biagio Pizzuti, Orchestra del Teatro Carlo Felice, Fabio Luisi | G Minor | 2 | 6A | 81 BPM | ||
Mozart: Oiseaux, si tous les ans, K. 307 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Sept mélodies, Op. 2: II. Le charme | Ernest Chausson, Véronique Gens, Susan Manoff | F Major | 1 | 7B | 118 BPM | ||
Poème d'amour: No. 3, Ouvre tes yeux bleus | Jules Massenet, Jessica Pratt, Vincenzo Scalera | G Major | 1 | 9B | 79 BPM | ||
Puccini: Madama Butterfly, Act 2: "E Izaghi ed Izanami" (Suzuki, Butterfly) | Giacomo Puccini, Maria Callas, Lucia Danieli, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | A Minor | 1 | 8A | 74 BPM | ||
La Tempestad, Acto II: Diamantes Brasileños (Terceto del Collar) - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Carlos Munguia, Pilar Lorengar, Tony Rosado, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid | A♭ Major | 3 | 4B | 76 BPM | ||
L’invitation au voyage | Henri Duparc, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Die Rose von Jericho: Der Wind | Linard Bardil, Jochen Rieder, Tonhalle-Orchester Zürich | F Minor | 2 | 4A | 88 BPM | ||
L'assedio di Corinto / Giusto ciel: L'ora fatal s’apressa | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM |