"キーboard Concerto in F Minor, BWV 1056: II. Largo (arr. flute and harp)" by Anonymous, Johann Sebastian Bach, Janos Balint, Deborah Sipkai was released on January 1, 1998. The duration of キーboard Concerto in F Minor, BWV 1056: II. Largo (arr. flute and harp) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. キーboard Concerto in F Minor, BWV 1056: II. Largo (arr. flute and harp)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 21 in Flute and Harp Arrangements - Tartini, G. / Bach, J.S. / Mozart, W.A. / Tchaikovsky, P.I. / Liszt, F. / Grieg, E. / Chopin, F. by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, キーboard Concerto in F Minor, BWV 1056: II. Largo (arr. flute and harp)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of キーboard Concerto in F Minor, BWV 1056: II. Largo (arr. flute and harp) by Anonymous, Johann Sebastian Bach, Janos Balint, Deborah Sipkai is Moderato (at a moderate speed), since this song has a tempo of 120 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christmas Lullaby (arr. A. Delmoni) | John Rutter, Arturo Delmoni, Danielle Maddon, Ellen DePasquale, Rafael Figueroa | F Major | 1 | 7B | 77 BPM | ||
Concerto grosso in G Minor, Op. 6, No. 8, "Fatto per la Notte di Natale": IV. Pastorale: Largo | Arcangelo Corelli, The English Concert, Trevor Pinnock | F♯ Major | 1 | 2B | 138 BPM | ||
Ave Maria | Robert Parsons, Choir of St. John's College, Cambridge, Christopher Robinson | A♭ Major | 1 | 4B | 72 BPM | ||
L'enfance du Christ, H 130 - Arr. Chris Hazell: L'adieu des bergers | Hector Berlioz, Renée Fleming, London Voices, Royal Philharmonic Orchestra, Andreas Delfs | F Major | 1 | 7B | 81 BPM | ||
Sonata In A Major For 2 Oboe D'Amore And Basso Continuo - Arr. H.G. Renner: Allegro | Georg Philipp Telemann, Hans Georg Renner, Dietmar Keller, Helmut Böcker, Fritz Neumeyer | E♭ Major | 1 | 5B | 75 BPM | ||
Maybe This Christmas (Arr. for Solo Violin and Strings) | Ron Sexsmith, Daniel Hope, Zürcher Kammerorchester | D Major | 3 | 10B | 81 BPM | ||
Vesperae solennes de confessore in C, K.339: 5. Laudate Dominum omnes gentes (Ps. 116/117) | Wolfgang Amadeus Mozart, Cecilia Bartoli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani | F Major | 0 | 7B | 103 BPM | ||
Ave Maria (arr. A. Delmoni) | Johann Sebastian Bach, Charles Gounod, Arturo Delmoni, Nina Bodnar, Natasha Lipkina, Nathaniel Rosen, Emily Mitchell | G Major | 2 | 9B | 64 BPM | ||
Concerto Grosso In G Minor, Op. 6, No. 8, "Christmas Concerto" : III. Adagio - Allegro - Adagio | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | C Major | 1 | 8B | 122 BPM | ||
Concerto Grosso, Op. 6 No. 8 "Christmas Concerto": III. Adagio. Allegro. Adagio | Kammerorchester Ensemble Classico, Lui Chan, Pierre Cochand | F♯ Minor | 1 | 11A | 74 BPM |