Kammerorchester Ensemble Classico, Lui Chan, Pierre Cochand made "Concerto Grosso, Op. 6 No. 8 "Christmas Concerto": III. Adagio. Allegro. Adagio" available on November 28, 2015. The duration of Concerto Grosso, Op. 6 No. 8 "Christmas Concerto": III. Adagio. Allegro. Adagio is about 3 minutes long, at 3:21. Based on our data, "Concerto Grosso, Op. 6 No. 8 "Christmas Concerto": III. Adagio. Allegro. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Kammerorchester Ensemble Classico, Lui Chan, Pierre Cochand's "Magical Christmas Melodies" album is number 14 out of 17. On top of that, Switzerland appears to be the country where this track was created. Concerto Grosso, Op. 6 No. 8 "Christmas Concerto": III. Adagio. Allegro. Adagio is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Concerto Grosso, Op. 6 No. 8 "Christmas Concerto": III. Adagio. Allegro. Adagio by Kammerorchester Ensemble Classico, Lui Chan, Pierre Cochand to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria | Camille Saint-Saëns, Antonia Bourvé, Gundula Schneider, Romano Giefer, Les Favorites, Holger Speck | B Major | 2 | 1B | 82 BPM | ||
Concerto grosso in G Minor, Op. 8 No. 6 "pastorale per il Santissimo Natale": I. Grave - Vivace | Giuseppe Torelli, Concerto Copenhagen, Lars Ulrik Mortensen | D♭ Major | 1 | 3B | 79 BPM | ||
Concerto grosso in G minor, Op.6, No.8 "fatto per la notte di Natale": 3. Adagio - Allegro - Adagio | Arcangelo Corelli, The English Concert, Trevor Pinnock | D Major | 1 | 10B | 121 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": I. Vivace - Grave | Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra | D Major | 3 | 10B | 97 BPM | ||
Nativity Carol | John Rutter, City of London Sinfonia, The Cambridge Singers | D Major | 0 | 10B | 84 BPM | ||
Sinfonies de Fanfare in D Major: 1. Rondeau | Jean-Joseph Mouret, Hannes Läubin, Wolfgang Läubin, Bernhard Läubin, Norbert Schmitt, Simon Preston | D Major | 3 | 10B | 77 BPM | ||
A Ceremony of Carols, Op. 28: I. Procession | Benjamin Britten, The Choir Of Trinity College, Cambridge | B Minor | 0 | 10A | 74 BPM | ||
Overture (Suite) In D Major TWV 55:D6, For Viola Da Gamba, Strings And Basso Continuo: 3. Sarabande | Georg Philipp Telemann, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 84 BPM | ||
Es ist ein Ros entsprungen (arr. S. Cox for brass septet) | Michael Praetorius, Simon Cox, Septura | F Major | 0 | 7B | 133 BPM | ||
L'Enfance du Christ, Op. 25, Deuxième Partie, La Fuite en Egypte: II. L'Adieu des Bergers | Hector Berlioz, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Joseph Moor, La Chapelle Royale | F♯ Major | 1 | 2B | 106 BPM |