"Es ist ein Ros entsprungen (arr. S. Cox for brass septet)" by Michael Praetorius, Simon Cox, Septura was released on November 11, 2016. The duration of Es ist ein Ros entsprungen (arr. S. Cox for brass septet) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Es ist ein Ros entsprungen (arr. S. Cox for brass septet)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 22 in Christmas with Septura by Septura. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Es ist ein Ros entsprungen (arr. S. Cox for brass septet)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Es ist ein Ros entsprungen (arr. S. Cox for brass septet) by Michael Praetorius, Simon Cox, Septura is Allegro (fast, quick, and bright), since this song has a tempo of 133 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat: IV. Deposuit (Version for Full Orchestra) | Taylor Scott Davis, Voces8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith | G Major | 2 | 9B | 125 BPM | ||
Still, Still, Still | Vienna Boys' Choir | G Major | 0 | 9B | 121 BPM | ||
Julebudet til dem, der bygge (The Christmas message) (arr. B. Holten): Julebudet til dem, der bygge. | Bo Holten | E Major | 2 | 12B | 73 BPM | ||
What Child Is This | The Philharmonic Chamber Orchestra | E Minor | 2 | 9A | 73 BPM | ||
Es ist ein Ros' entsprungen | Michael Praetorius, Owain Park, The Gesualdo Six | F Major | 3 | 7B | 130 BPM | ||
Schlittschuhläufer-Walzer, Op. 183 | Émile Waldteufel, phil Blech Wien, Anton Mittermayr | A♭ Major | 1 | 4B | 107 BPM | ||
Let It Snow (Piano Version) | Jule Styne, Michael Forster | B♭ Minor | 1 | 3A | 73 BPM | ||
Concerto Grosso, Op. 6 No. 8 "Christmas Concerto": III. Adagio. Allegro. Adagio | Kammerorchester Ensemble Classico, Lui Chan, Pierre Cochand | F♯ Minor | 1 | 11A | 74 BPM | ||
Christmas Oratorio, BWV 248 / Part Two - For the second Day of Christmas: No.10 Sinfonia | Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 0 | 9B | 79 BPM | ||
Messiah, HWV 56, Pt. 1 (Ed. W. Shaw): No. 12, For unto Us a Child Is Born | George Frideric Handel, Concert Artists of Baltimore Symphonic Chorale, Baltimore Symphony Orchestra, Edward Polochick | G Major | 1 | 9B | 109 BPM |