"Requiem (Missa pro defunctis) a 2-4: Tractus: Sicut cervus" by Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier was released on 1985. Since Requiem (Missa pro defunctis) a 2-4: Tractus: Sicut cervus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Ockeghem - Requiem (Missa Pro Defunctis) & Missa Mi Mi (Missa Quarti Toni)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Requiem (Missa pro defunctis) a 2-4: Tractus: Sicut cervus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem (Missa pro defunctis) a 2-4: Tractus: Sicut cervus by Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier having a テンポ of 62 with a half-time of 31 テンポ and a double-time of 124 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegri: Miserere - 09. Quoniam si voluisses | Gregorio Allegri, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 75 BPM | ||
O Holy God | Kiev Chamber Choir | D Minor | 2 | 7A | 136 BPM | ||
Mouton: Ave Maria, Virgo Serena - 1. Ave Maria, Gratia Plena | Jean Mouton, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 82 BPM | ||
Missa pro defunctis: V. Sanctus | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Major | 3 | 11B | 80 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
Alleluia Nativitas | Pérotin, The Hilliard Ensemble | B Major | 2 | 1B | 71 BPM | ||
Missa prolationum, Agnus Dei: Agnus Dei I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 140 BPM | ||
and the swallow | Caroline Shaw, Ars Nova Copenhagen, Paul Hillier | B♭ Minor | 1 | 3A | 116 BPM | ||
Compostela "Ad vesperas Sancti Iacobi": V. Antiphona "Gaudeat plebs gallecianorum" - Psalmus "Lauda anima mea dominum" | Codex Calixtinus, Ensemble Organum, Marcel Pérès | F Major | 3 | 7B | 137 BPM | ||
Angelica biltà | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 81 BPM |