"Missa pro defunctis: V. Sanctus" by Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard was released on April 19, 2024. The duration of Missa pro defunctis: V. Sanctus is about 3 minutes long, at 3:14. Based on our data, "Missa pro defunctis: V. Sanctus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Charles D'Argentil: Missa pro defunctis: V. Sanctus and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Missa pro defunctis: V. Sanctus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa pro defunctis: V. Sanctus by Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chansons: Pour prison ne pour maladie | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | E♭ Minor | 1 | 2A | 83 BPM | ||
Quis numerare queat: II. Audivit ipse | Loyset Compère, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Natus ante sæcula | Notker Balbulus, Ensemble Gilles Binchois, Dominique Vellard | F Major | 1 | 7B | 101 BPM | ||
Esto mihi: II. In te, Domine, speravi | Heinrich Isaac, The Gesualdo Six, Owain Park | G Major | 2 | 9B | 112 BPM | ||
Missa ‘De Angelis’: II. Gloria | Claudio Dall'Albero, The Choir of Sidney Sussex College, Cambridge, David Skinner | E♭ Major | 1 | 5B | 99 BPM | ||
XXV. Ich weiß, daß mein Erlöser lebt | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Florian Helgath, Katharina Bauml | E Minor | 1 | 9A | 92 BPM | ||
Magi veniunt ab oriente: I. Magi veniunt ab oriente | Jacob Clemens non Papa, Owain Park, The Gesualdo Six | F♯ Major | 1 | 2B | 80 BPM | ||
O rex gloriae | Luca Marenzio, James Grossmith, Claritas | G Major | 2 | 9B | 74 BPM | ||
Le Jeune: Airs mis en musique à 4 et 5 parties, 1594: No. 9, Fiere cruelle en amour | Claude Le Jeune, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
Mon pere m'a donne mari a 4 | Heinrich Isaac, Els Janssens-Vanmunster, Michael Feyfar, Marc Lewon, Les Flamboyants, Michael Form | F♯ Major | 0 | 2B | 93 BPM |