KNOXVILLETRACKZ made "SBC" available on March 21, 2024. With SBC being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in KNOXVILLETRACKZ's "HF SONIC BOUNDARIES" album is number 3 out of 25. SBC is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of SBC by KNOXVILLETRACKZ to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony, Op. 20: VII. Temps suspendu | Thomas Hyde, BBC Scottish Symphony Orchestra, Geoffrey Paterson | C Major | 0 | 8B | 132 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
A Child of our Time, Part III: Preludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
HFDBMX | KNOXVILLETRACKZ | G Minor | 0 | 6A | 87 BPM | ||
Oboe Concerto in D Major, TrV 292: II. Andante | Richard Strauss, Copenhagen Philharmonic Orchestra, Toshiyuki Kamioka | B♭ Major | 0 | 6B | 68 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Petrushka, K12 (1947 Version): IIIa. The Moor's Room – IIIb. Dance of the Ballerina | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Variations on a Rococo Theme, Op. 33b, TH 57 b: Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Minor | 0 | 6A | 75 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Rakastava, Op. 14: III. Good Evening!... Farewell! Andantino - Doppio più lento - Lento assai | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM |