Steven Mackey, Ayano Kataoka, David Requiro, Hyeyeon Park, Kristin Lee, Romie de Guise-Langlois, Tara Helen O'Connor's 'Micro-Concerto: I. Chords and Fangled Drumset (Live)' came out on December 16, 2019. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Music@Menlo Live: Incredible Decades, Vol. 7" album is number 8 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, Micro-Concerto: I. Chords and Fangled Drumset (Live) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Micro-Concerto: I. Chords and Fangled Drumset (Live) by Steven Mackey, Ayano Kataoka, David Requiro, Hyeyeon Park, Kristin Lee, Romie de Guise-Langlois, Tara Helen O'Connor to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Micro-Concerto: IV. Interlude #2, Marimba and Cello | Steven Mackey, Emma Tahmizian, Daniel Druckman, Michael Lowenstern, Michael Finckel, Shem Guibbory, Zizi Mueller | A Major | 0 | 11B | 129 BPM | ||
Sonata in D minor K 213 (D. Scarlatti) | Stanislao Marco Spina, Domenico Scarlatti | A Major | 0 | 11B | 102 BPM | ||
The Four Temperaments for Piano and String Orchestra: Var. 4. Cholerisch. Vivace | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | C Major | 2 | 8B | 85 BPM | ||
Lux Aeterna: II. Allegretto | Rihards Dubra, Saxtett | G Major | 2 | 9B | 151 BPM | ||
Eternal Paradox | AKIRA HONDA | A Minor | 1 | 8A | 92 BPM | ||
Fall of the Leaf: II. Vivace | Imogen Holst, Thomas Hewitt Jones | F Major | 1 | 7B | 142 BPM | ||
Métaboles: I. Incantatoire | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Three Miniatures for Solo Violin: I. A Lullaby for Lalit | George Benjamin, Carolin Widmann | D Major | 1 | 10B | 108 BPM | ||
Concerto for Violin & Percussion Orchestra: III. Allegro, vigoroso, poco presto | Lou Harrison, Nicholas Kitchen, New England Conservatory Percussion Ensemble, Frank Epstein, Will McVay, Sean Van Winkle, Nathan Vendel, Luis Herrera Albertazi, Harrison Honor | B Minor | 4 | 10A | 151 BPM | ||
Dewdrop Dhun | Sanseti Sabaru | A Minor | 0 | 8A | 102 BPM |