Rihards Dubra, Saxtett's 'Lux Aeterna: II. Allegretto' came out on February 1, 2008. The duration of Lux Aeterna: II. Allegretto is about 3 minutes long, at 3:09. Based on our data, "Lux Aeterna: II. Allegretto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Rihards Dubra, Saxtett's "Lux Aeterna" album is number 2 out of 4. On top of that, Austria appears to be the country where this track was created. Based on our statistics, Lux Aeterna: II. Allegretto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lux Aeterna: II. Allegretto by Rihards Dubra, Saxtett to be Allegro (fast, quick, and bright) because the track has a tempo of 151 テンポ, a half-time of 76テンポ, and a double-time of 302 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantata, BWV 208: Schafe können sicher weiden | Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | A Major | 0 | 11B | 69 BPM | ||
Hymn of the Cherubim (Excerpt 1) | The Russian State Symphony Cappella | B Major | 2 | 1B | 82 BPM | ||
Harmony of Angels | LeoRoads | E Minor | 2 | 9A | 130 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Spaseniye sodelal yesi posrede zemli (Salvation is Created), Op. 25, No. 5 | Pavel Chesnokov, Dale Warland Singers, Dale Warland | D Major | 0 | 10B | 133 BPM | ||
The Lamb | John Tavener, Daniel Taylor | A Minor | 0 | 8A | 83 BPM | ||
Urlicht | Gustav Mahler, Clytus Gottwald, Collegium Vocale Hannover, Florian Lohmann | D♭ Major | 0 | 3B | 138 BPM | ||
The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 124 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
Dos estrellas le seguen. Romance – à 2, 3 & 4 | Manuel Machado, Paul Van Nevel, Huelgas Ensemble | C Major | 1 | 8B | 89 BPM |