Johann Sebastian Bach, Emma Kirkby, Daniel Taylor, Theatre of Early Music made "Tilge, Hochster, meine Sunden, BWV 1083: Lass mich Freud und Wonne spuren (Soprano, Alto)" available on July 1, 2009. The duration of Tilge, Hochster, meine Sunden, BWV 1083: Lass mich Freud und Wonne spuren (Soprano, Alto) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Tilge, Hochster, meine Sunden, BWV 1083: Lass mich Freud und Wonne spuren (Soprano, Alto)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi, A.: Stabat Mater / Pergolesi, G.B.: Salve Regina / Bach, J.S.: Tilge, Hochster, Meine Sunden by Daniel Taylor. The song's track number on the album is #25 out of 30 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Based on our statistics, Tilge, Hochster, meine Sunden, BWV 1083: Lass mich Freud und Wonne spuren (Soprano, Alto)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Tilge, Hochster, meine Sunden, BWV 1083: Lass mich Freud und Wonne spuren (Soprano, Alto) by Johann Sebastian Bach, Emma Kirkby, Daniel Taylor, Theatre of Early Music has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Tilge, Hochster, meine Sunden, BWV 1083: Lass mich Freud und Wonne spuren (Soprano, Alto) being at 130 テンポ, the half-time would be 65 テンポ with a double-time of 260 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | ||
Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
Prelude No. 3 "Nina's Convention" | Johann Sebastian Bach, John Lewis | C Major | 1 | 8B | 93 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Concerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, David Collyer, Amsterdam Baroque Orchestra | A♭ Minor | 5 | 1A | 98 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM |