"Au fond du temple saint (Les Pècheurs de Perles)" by Jussi Björling, Robert Merrill, RCA Victor Orchestra was released on August 30, 2006. With this song being about 5 minutes long, at 4:36, "Au fond du temple saint (Les Pècheurs de Perles)" by Jussi Björling, Robert Merrill, RCA Victor Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jussi Björling's "Lebendige Vergangenheit - Jussi Björling" album is number 6 out of 18. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Au fond du temple saint (Les Pècheurs de Perles) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Au fond du temple saint (Les Pècheurs de Perles) by Jussi Björling, Robert Merrill, RCA Victor Orchestra to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Fedora (1988 Digital Remaster): Amor ti vieta | Umberto Giordano, Jussi Björling, Orchestra, Nils Grevillius | A♭ Major | 3 | 4B | 92 BPM | ||
La Damnation de Faust, Part III, Scène 1: "Merci, doux crépuscule!" | Hector Berlioz, Jonas Kaufmann, Bertrand de Billy | F Major | 0 | 7B | 82 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM | ||
Madama Butterfly - Act II | Chorus and Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin | B♭ Major | 0 | 6B | 73 BPM | ||
Donizetti: L'elisir d'amore, Act 1 Scene 1: No. 1b, Cavatina, "Quanto è bella, quanto è cara!" (Nemorino) | Gaetano Donizetti, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | C Major | 1 | 8B | 171 BPM | ||
La Gioconda, Act IV: Suicido! … | Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto | D Major | 1 | 10B | 86 BPM | ||
Fedora, Act 2: Amor Ti Vieta | Jussi Björling, Frederick Schauwecker | C Major | 1 | 8B | 109 BPM | ||
Aftenstemning | Carl Nielsen, Lunds Studentsångare, Mats Paulson | D♭ Major | 0 | 3B | 78 BPM | ||
I puritani: Qui la voce sua soave | Vincenzo Bellini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will Humburg | A♭ Major | 1 | 4B | 103 BPM |