"7 Fantasies, P. 4-3: No. 4. Farewell [on In Nomine], P. 4" by John Dowland, Nigel North was released on June 20, 2006. With this song being about 5 minutes long, at 4:33, "7 Fantasies, P. 4-3: No. 4. Farewell [on In Nomine], P. 4" by John Dowland, Nigel North is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 22 out of 23 in Dowland, J.: Lute Music, Vol. 1 - Fancyes, Dreams and Spirits by John Dowland, Nigel North. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. 7 Fantasies, P. 4-3: No. 4. Farewell [on In Nomine], P. 4 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Fantasies, P. 4-3: No. 4. Farewell [on In Nomine], P. 4 by John Dowland, Nigel North is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute music - Italy: Lo spagnoletto - Il bianco fiore | Cesare Negri, Konrad Ragossnig | F Major | 2 | 7B | 87 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
Der ander Theil des Lautenbuchs: Ein welscher tantz Wascha mesa | Hans Neusidler, Ronn McFarlane | D♭ Minor | 2 | 12A | 161 BPM | ||
Differencias Sobre La Gallarda Milanesa | Antonio de Cabezón, Veronique Musson-Gonneaud | F Major | 1 | 7B | 87 BPM | ||
Suite in D Minor: III. L'adieu | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
Requiem: VI. Agnus Dei | Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin | E♭ Minor | 1 | 2A | 63 BPM | ||
En el porta de Santiago ! : Canzon La Benedetta | Andrea Falconieri, Arianna Savall, La Fenice, Jean Tubéry | G Minor | 1 | 6A | 78 BPM | ||
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 78 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM |