"Violin Concerto, Op. 15: I. Moderato con moto – Agitato – Tempo primo - Live" by Benjamin Britten, Isabelle Faust, Symphonieorchester des Bayerischen Rundfunks, Jakub Hrůša, Boris Faust was released on April 12, 2024. Violin Concerto, Op. 15: I. Moderato con moto – Agitato – Tempo primo - Live appears to be safe for all ages as it is not explicit. The song is number 1 out of 11 in Britten: Violin Concerto, Chamber Works by Benjamin Britten, Isabelle Faust, Symphonieorchester des Bayerischen Rundfunks, Jakub Hrůša, Alexander Melnikov, Boris Faust. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Violin Concerto, Op. 15: I. Moderato con moto – Agitato – Tempo primo - Live's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto, Op. 15: I. Moderato con moto – Agitato – Tempo primo - Live by Benjamin Britten, Isabelle Faust, Symphonieorchester des Bayerischen Rundfunks, Jakub Hrůša, Boris Faust is Allegro (fast, quick, and bright), since this song has a tempo of 138 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Étienne Marcel, R. 209, Act III, The Night of St. John, Before Notre Dame (Excerpts): Entrée des écoliers et des ribaudes | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
And Tired From Happiness, They Started to Dance: II. Motion of Waiting | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | A Minor | 1 | 8A | 117 BPM | ||
Katya Kabanova, JW I/8, Act II Scene 2: Introduction | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
Beginning of the End Suite | Albert Glasser | E♭ Minor | 4 | 2A | 78 BPM | ||
King Kristian II, Op. 27: II. Elegie: III. Musette | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A♭ Major | 0 | 4B | 104 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": II. Aria | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | F Minor | 0 | 4A | 68 BPM | ||
Fawkes the Phoenix - From “Harry Potter and the Chamber of Secrets” / Live at Su | John Williams, Saito Kinen Orchestra | G Minor | 3 | 6A | 102 BPM | ||
Music for a Great City: I. Skyline | Aaron Copland, London Symphony Orchestra | B Minor | 5 | 10A | 128 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse - Instrumental | Gabriel Fauré, Philadelphia Orchestra, Charles Münch | C Major | 1 | 8B | 95 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM |