"And Tired From Happiness, They Started to Dance: II. Motion of Waiting" by Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi was released on May 17, 2024. And Tired From Happiness, They Started to Dance: II. Motion of Waiting is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The track order of this song in Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi's "Jüri Reinvere: Ship of Fools" album is number 2 out of 6. On top of that, Estonia appears to be the country where this track was created. In terms of popularity, And Tired From Happiness, They Started to Dance: II. Motion of Waiting is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of And Tired From Happiness, They Started to Dance: II. Motion of Waiting by Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, Paavo Järvi, Jesper Harryson, Royal Stockholm Philharmonic Orchestra | E Minor | 1 | 9A | 88 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM | ||
Petrushka, K12 (1947 Version): IVf. The Masqueraders | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): I. The Gnome | Modest Mussorgsky, Maurice Ravel, New York Philharmonic, Leonard Bernstein | A♭ Major | 0 | 4B | 167 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 11, "Ein Tanz von Rübeln". Allegro di molto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Katharina Konradi, Sophia Burgos | E Major | 1 | 12B | 72 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Suite, Op. 56: IV. Rondo. Presto | Rudolf Moser, Sinfonietta Riga, Philippe Bach | D Major | 0 | 10B | 101 BPM | ||
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Orchestral Version) | Sergei Rachmaninoff, Paavo Järvi, Orchestre de Paris | F♯ Major | 3 | 2B | 133 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: II. Andante marcia funebre I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | C Minor | 0 | 5A | 85 BPM |