"Six Poems by Henrik Ibsen, Op. 25: En svane (A Swan)" by Birgit Nilsson, Geoffrey Parsons was released on July 5, 2011. The duration of Six Poems by Henrik Ibsen, Op. 25: En svane (A Swan) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Six Poems by Henrik Ibsen, Op. 25: En svane (A Swan)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Six Poems by Henrik Ibsen, Op. 25: En svane (A Swan)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Six Poems by Henrik Ibsen, Op. 25: En svane (A Swan) by Birgit Nilsson, Geoffrey Parsons is Allegro (fast, quick, and bright), since this song has a tempo of 148 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La fanciulla del West: Ch'ella mi creda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | F Major | 6 | 7B | 103 BPM | ||
Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
Elektra, Op.58, TrV 223: "Was willst du, fremder Mensch?" | Richard Strauss, Birgit Nilsson, Tom Krause, Wiener Philharmoniker, Sir Georg Solti | C Minor | 1 | 5A | 88 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Turandot / Act 2: O mondo, O mondo | Giacomo Puccini, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | D Major | 10 | 10B | 132 BPM | ||
Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 3 | 7B | 92 BPM | ||
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
Carmen, Act IV: No.25 Choeur : A la cuartos! (Marchands et Marchandes/Zuniga/Une marchande/Un bohémien) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E Major | 0 | 12B | 79 BPM | ||
Der Freischütz, J. 277 / Act 3: "Wir winden dir den Jungfernkranz" | Carl Maria von Weber, Renate Hoff, Renate Krahmer, Ingeborg Springer, Brigitte Pfretzschner, Ingrid Hille, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 0 | 8B | 99 BPM |