"Concerto in G Minor for 2 Cellos, Strings and Basso continuo, RV 531: II. Largo" by Antonio Vivaldi, Ton Koopman, Amsterdam Baroque Orchestra was released on 2004. The duration of Concerto in G Minor for 2 Cellos, Strings and Basso continuo, RV 531: II. Largo is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Concerto in G Minor for 2 Cellos, Strings and Basso continuo, RV 531: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi's Cello (Remastered) by Antonio Vivaldi, Yo-Yo Ma. The song's track number on the album is #2 out of 19 tracks. In terms of popularity, Concerto in G Minor for 2 Cellos, Strings and Basso continuo, RV 531: II. Largo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto in G Minor for 2 Cellos, Strings and Basso continuo, RV 531: II. Largo by Antonio Vivaldi, Ton Koopman, Amsterdam Baroque Orchestra has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Concerto in G Minor for 2 Cellos, Strings and Basso continuo, RV 531: II. Largo being at 114 テンポ, the half-time would be 57 テンポ with a double-time of 228 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Alison Balsom, Balsom Ensemble | D♭ Major | 3 | 3B | 101 BPM | ||
Torelli: Trumpet Concerto in D Major: III. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 111 BPM | ||
Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: IV. Vivace | Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden | B Minor | 6 | 10A | 124 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio | Johann Gottlieb Goldberg, London Baroque | D Major | 0 | 10B | 87 BPM | ||
Concerto for 2 Mandolins in G Major, RV 532: II. Largo | Antonio Vivaldi, Paul Grund, Artur Rumetsch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | E Minor | 3 | 9A | 100 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
Suite in D Minor: 2. Sarabande | Louis Couperin, Christopher Hogwood | D♭ Minor | 1 | 12A | 140 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM |