Astor Piazzolla, Martin Fröst, Royal Stockholm Philharmonic Orchestra's 'La muerte del ángel' came out on November 27, 2015. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in La Muerte del Ángel (Arr. G. Frost for Clarinet & Orchestra) and no other songs are present in the album, we classify this track as a single. On top of that, United States appears to be the country where this track was created. Based on our statistics, La muerte del ángel's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La muerte del ángel by Astor Piazzolla, Martin Fröst, Royal Stockholm Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 122 テンポ, a half-time of 61テンポ, and a double-time of 244 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: 7 Gipsy Melodies, Op. 55, B. 104: No. 4, Als die alte Mutter (Arr. for Trumpet and Orchestra) | Antonín Dvořák, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | D Major | 1 | 10B | 92 BPM | ||
Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
The Carnival of Venice | Niccolò Paganini, Joshua Bell, Nigel Hess | A Major | 1 | 11B | 114 BPM | ||
Oblivion | Astor Piazzolla, Joshua Bell, Carel Kraayenhof | C Minor | 2 | 5A | 85 BPM | ||
Introduction and Rondo capriccioso, Op. 28 | New York Philharmonic, Leonard Bernstein | A Minor | 2 | 8A | 91 BPM | ||
Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | ||
Fauré : Élégie in C minor, Op.24 | Gabriel Fauré, Roland Pidoux | A♭ Major | 0 | 4B | 92 BPM | ||
Clarinet Concerto: II. Cadenza. Tranquillo | Kalevi Aho, Martin Fröst, Lahti Symphony Orchestra, Osmo Vänskä | D Minor | 0 | 7A | 81 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: 1. Villano y Ricercare (Adagietto - Andante moderato) | Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin | A Major | 1 | 11B | 79 BPM | ||
The Color Purple: Main Title | Quincy Jones, Rod Temperton, Jeremy Lubbock, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 107 BPM |