"Dvořák: 7 Gipsy Melodies, Op. 55, B. 104: No. 4, Als die alte Mutter (Arr. for Trumpet and Orchestra)" by Antonín Dvořák, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra was released on October 10, 2011. The duration of Dvořák: 7 Gipsy Melodies, Op. 55, B. 104: No. 4, Als die alte Mutter (Arr. for Trumpet and Orchestra) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Dvořák: 7 Gipsy Melodies, Op. 55, B. 104: No. 4, Als die alte Mutter (Arr. for Trumpet and Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Storyteller". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Dvořák: 7 Gipsy Melodies, Op. 55, B. 104: No. 4, Als die alte Mutter (Arr. for Trumpet and Orchestra) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dvořák: 7 Gipsy Melodies, Op. 55, B. 104: No. 4, Als die alte Mutter (Arr. for Trumpet and Orchestra) by Antonín Dvořák, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | G Minor | 0 | 6A | 170 BPM | ||
Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) | Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec | B Minor | 0 | 10A | 75 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Lasst Mich Alein, Op. 82, B.157 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F Major | 0 | 7B | 116 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, LSO Wind Ensemble | E♭ Major | 0 | 5B | 65 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Neruda: Trumpet Concerto In E Flat - Iii Vivace | Johann Baptist Georg Neruda, Tine Thing Helseth | E♭ Major | 2 | 5B | 139 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Lang Lang | G Major | 0 | 9B | 76 BPM |