"Norfolk Rhapsody No. 1 in E minor" by Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth was released on January 1, 1994. Norfolk Rhapsody No. 1 in E minor appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Fantasia on a Theme by Thomas Tallis/The Lark Ascending etc. by Ralph Vaughan Williams, Hagai Shaham, New Queen's Hall Orchestra, Barry Wordsworth. The song's track number on the album is #2 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Norfolk Rhapsody No. 1 in E minor is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Norfolk Rhapsody No. 1 in E minor by Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Norfolk Rhapsody No. 1 in E minor being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM | ||
Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 87 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Mother Goose: V. The Fairy Garden | Maurice Ravel, St. Petersburg Philharmonic Orchestra, Yuri Temirkanov | B♭ Major | 3 | 6B | 124 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
A Shropshire Lad | George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult | F Minor | 1 | 4A | 77 BPM | ||
Symphony No. 36 in C Major, K. 425 "Linz": II. Poco adagio | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | C Major | 0 | 8B | 94 BPM | ||
Oboe Concerto: II. Minuet and Musette. Allegro moderato | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey | C Major | 1 | 8B | 138 BPM |