Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia made "Puccini: Turandot, Act 2: "Addio, amore! Addio, razza!" (Coro, Pong, Pang, Ping)" available on March 10, 2023. With Puccini: Turandot, Act 2: "Addio, amore! Addio, razza!" (Coro, Pong, Pang, Ping) being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 57 in the song's album "Puccini: Turandot". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Puccini: Turandot, Act 2: "Addio, amore! Addio, razza!" (Coro, Pong, Pang, Ping)'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Puccini: Turandot, Act 2: "Addio, amore! Addio, razza!" (Coro, Pong, Pang, Ping) by Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia having a テンポ of 138 with a half-time of 69 テンポ and a double-time of 276 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chénier / Act 2: Per l'ex inferno! | Umberto Giordano, Giorgio Tadeo, Kathleen Kuhlmann, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | G Major | 5 | 9B | 113 BPM | ||
Madame Butterfly - Grosser Querschnitt: Du, du, du | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | C Major | 1 | 8B | 82 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act I: Ed e bella la sposa? | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | C Major | 0 | 8B | 100 BPM | ||
Madama Butterfly / Act I: Bimba dagli occhi pieni di malia | Giacomo Puccini, Mirella Freni, José Carreras, Philharmonia Orchestra, Giuseppe Sinopoli | F Major | 2 | 7B | 82 BPM | ||
Adriana Lecouvreur / Act 1: Michonnet, dalla bianca! | Francesco Cilea, Dora Carral, Giulio Fioravanti, Angelo Mercuriali, Fernanda Cadoni, Giovanni Foiani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | D Major | 3 | 10B | 125 BPM | ||
Lucrezia Borgia: Act I Scene 4: Tutti eseguisti? (Duca, Rustighello) | Gaetano Donizetti, Alex Esposito, Gregory Bonfatti, Orchestra Filarmonica Marchigiana, Marco Guidarini | E♭ Major | 3 | 5B | 143 BPM | ||
Verdi: Otello: Atto Secondo: Credo in un Dio crudel | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 82 BPM | ||
Il tabarro, SC 85: O Luigi! Luigi! ... Dimmi, perché gli hai chiesto | Giacomo Puccini, Jonathan Tetelman, Vida Miknevičiūtė, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Minor | 2 | 11A | 83 BPM | ||
La sonnambula, Act I: Prendi: l'anel ti dono - Edit | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | E Major | 3 | 12B | 130 BPM | ||
Cherubini: Medea, Act 1: "Colco! Pensier fatal!" (Glauce, Giasone, Creonte) | Luigi Cherubini, Renata Scotto, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 2 | 9B | 115 BPM |