Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, John Constable, Academy of St. Martin in the Fields, Iona Brown made "Concerto for 2 Trumpets, Strings and Continuo in E flat: 4. Vivace" available on January 1, 1988. The duration of Concerto for 2 Trumpets, Strings and Continuo in E flat: 4. Vivace is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Concerto for 2 Trumpets, Strings and Continuo in E flat: 4. Vivace's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Telemann: Trumpet Concertos". In this album, this song's track order is #13. Based on our statistics, Concerto for 2 Trumpets, Strings and Continuo in E flat: 4. Vivace's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Concerto for 2 Trumpets, Strings and Continuo in E flat: 4. Vivace by Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, John Constable, Academy of St. Martin in the Fields, Iona Brown having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto 6 in A Major, Op. 7: III. Giga allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 3 | 4B | 123 BPM | ||
Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
Concerto for Flute and 2 Violins in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | G Major | 2 | 9B | 104 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Concerto In B Flat Major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43: 3. Allegro | Georg Philipp Telemann, Peter Westermann, Michael Niesemann, Piet Dhont, Musica Antiqua Köln, Reinhard Goebel | A Major | 2 | 11B | 144 BPM | ||
Part I. Overture in E minor: IV. Loure | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 0 | 2A | 90 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM |