"Gloria in D Major, RV 589: 3. Laudamus te" by Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Kaia Urb, Tallinn Chamber Orchestra, Tõnu Kaljuste, Vilve Hepner was released on August 1, 2003. The duration of Gloria in D Major, RV 589: 3. Laudamus te is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Gloria in D Major, RV 589: 3. Laudamus te's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Gloria - Messsätze und Vespern by Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste. The song's track number on the album is #6 out of 28 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Gloria in D Major, RV 589: 3. Laudamus te is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gloria in D Major, RV 589: 3. Laudamus te by Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Kaia Urb, Tallinn Chamber Orchestra, Tõnu Kaljuste, Vilve Hepner has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gloria in D Major, RV 589: 3. Laudamus te being at 103 テンポ, the half-time would be 52 テンポ with a double-time of 206 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 1 | 8B | 67 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Nocturne No.2 in E flat major, Op.9 No.2 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 0 | 6B | 129 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Concerto Per Due Violini, Archi E Cembalo B Flat Major RV 524: Allegro | I Musici Di San Marco, Alberto Lizzio | A Major | 1 | 11B | 164 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM |