"The Planets, Op. 32: IV. Jupiter, The Bringer Of Jollity" by Gustav Holst, Philharmonia Orchestra, John Eliot Gardiner was released on January 1, 1995. Since The Planets, Op. 32: IV. Jupiter, The Bringer Of Jollity is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, Philharmonia Orchestra, John Eliot Gardiner's "Holst: The Planets / Percy Grainger: The Warriors" album is number 5 out of 8. Based on our statistics, The Planets, Op. 32: IV. Jupiter, The Bringer Of Jollity's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: IV. Jupiter, The Bringer Of Jollity by Gustav Holst, Philharmonia Orchestra, John Eliot Gardiner to be Allegro (fast, quick, and bright) because the track has a tempo of 145 テンポ, a half-time of 72テンポ, and a double-time of 290 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | ||
Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle | C Minor | 0 | 5A | 83 BPM | ||
Tourbillon-Galopp op.142, No. 1 - Arr. Heinrich Pek | Joseph Lanner, Wiener Philharmoniker, John Eliot Gardiner | C Major | 3 | 8B | 101 BPM | ||
Jazz Suite No.2: 7. Dance II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D Major | 1 | 10B | 84 BPM | ||
Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Ludwig van Beethoven, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 0 | 10B | 76 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Malcolm Bilson, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 0 | 11A | 96 BPM | ||
Capriccio Espagnol, Op. 34: 2. Variazioni | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | F Major | 0 | 7B | 80 BPM | ||
Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM |