"D'Hardelot / Arr Schifrin: A Tribute to Hollywood Part 3: Because" by D'Hardelot, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic was released on August 1, 1994. The duration of D'Hardelot / Arr Schifrin: A Tribute to Hollywood Part 3: Because is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. D'Hardelot / Arr Schifrin: A Tribute to Hollywood Part 3: Because's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "The Three Tenors in Concert, 1994". In this album, this song's track order is #9. D'Hardelot / Arr Schifrin: A Tribute to Hollywood Part 3: Because is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With D'Hardelot / Arr Schifrin: A Tribute to Hollywood Part 3: Because by D'Hardelot, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara) | George Gershwin, Ira Gershwin, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 153 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco Allegretto | Johannes Brahms, Zubin Mehta, New York Philharmonic | C Minor | 0 | 5A | 153 BPM | ||
Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM | ||
Leoncavallo: I pagliacci, Act 1: "Vesti la giubba" (Live) | Ruggero Leoncavallo, Plácido Domingo, Zubin Mehta, Los Angeles Philharmonic | E Minor | 4 | 9A | 90 BPM | ||
Il valzer dell'organino | Leo Nucci, Salotto Ottocento Ensemble | F Major | 2 | 7B | 88 BPM | ||
Tik-Tak Polka, Polka schnell, Op. 365 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | A Major | 6 | 11B | 90 BPM |