Academy of St. Martin in the Fields, Iona Brown, Celia Nicklin, Rachel Ingleton made "Arrival Of The Queen Of Sheba (Solomon)" available on 2009. The duration of Arrival Of The Queen Of Sheba (Solomon) is about 3 minutes long, at 3:06. Based on our data, "Arrival Of The Queen Of Sheba (Solomon)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Only Serenades: Serenade No.13, Christmas Concerto, Dido's Lamento, Dance of the Blessed Spirits, Ombra mai fu (Classical Masterpieces)". In this album, this song's track order is #11. Based on our statistics, Arrival Of The Queen Of Sheba (Solomon)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Arrival Of The Queen Of Sheba (Solomon) by Academy of St. Martin in the Fields, Iona Brown, Celia Nicklin, Rachel Ingleton having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Ave Maria | The Jane Austen Era | C Major | 0 | 8B | 75 BPM | ||
Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 2. Adagio | Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa Garatti | B♭ Major | 1 | 6B | 75 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: V. Réjouissance. VisteTelemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: V. Réjouissance | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
The Nutcracker, Op.71, Divertissement: Tea (Chinese Dance) | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, John Lanchbery | F Major | 2 | 7B | 135 BPM | ||
Das Namensfest (The Name-Day): Arietta: Ich singe und sage (Ferdinand) | Franz Xaver Süssmayr, Hungarian Radio Children's Choir, Budapest Symphony Orchestra, László Csányi | G Major | 0 | 9B | 127 BPM | ||
Das Namensfest (The Name-Day): Sinfonia: Maestoso - Allegro | Franz Xaver Süssmayr, Hungarian Radio Children's Choir, Budapest Symphony Orchestra, László Csányi | C Major | 1 | 8B | 135 BPM | ||
Fantasia On Christmas Carols | Ralph Vaughan Williams, Hervey Alan, Choir of King's College, Cambridge, London Symphony Orchestra, Sir David Willcocks | A Major | 2 | 11B | 85 BPM | ||
Les Indes galantes, Prologue: Ouverture | Jean-Philippe Rameau, Les Arts Florissants, William Christie | F♯ Major | 2 | 2B | 103 BPM | ||
Ave Maria (after J.S. Bach) | Charles Gounod, Caffee Concerto | C Major | 2 | 8B | 106 BPM |